Ableton Link is a technology that synchronizes musical beat,tempo, phase, and start/stop commands across multiple applications running on one or moredevices. Applications on devices connected to a local network discover each otherautomatically and form a musical session in which each participant can performindependently: anyone can start or stop while still staying in time. Anyone can changethe tempo, the others will follow. Anyone can join or leave without disrupting the session.

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Ableton provides two options for developers interested in integrating Link into theirmusical applications:

LinkKit SDK for iOS
Link cross-platform source code library
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This page contains a discussion of fundamental Link concepts that apply to both of theseprojects. For more detailed documentation and licensing information, please visit theappropriate project page linked above.

Link Concepts

Link is different from other approaches to synchronizing electronic instruments that youmay be familiar with. It is not designed to orchestrate multiple instruments so that theyplay together in lock-step along a shared timeline. In fact, Link-enabled apps each havetheir own independent timelines. The Link library maintains a temporal relationshipbetween these independent timelines that provides the experience of playing in timewithout the timelines being identical.

Playing “in time” is an intentionally vague term that might have different meanings fordifferent musical contexts and different applications. As a developer, you must decidethe most natural way to map your application’s musical concepts onto Link’ssynchronization model. For this reason, it’s important to gain an intuitive understandingof how Link synchronizes tempo, beat, and phase.Version 3 of Link makes it possible to share start and stop commands.

Tempo Synchronization

Tempo is a well understood parameter that represents the velocity of a beat timeline withrespect to real time, giving it a unit of beats/time. Tempo synchronization is achievedwhen the beat timelines of all participants in a session are advancing at the same rate.

With Link, any participant can propose a change to the session tempo at any time. Nosingle participant is responsible for maintaining the shared session tempo. Rather, eachparticipant chooses to adopt the last tempo value that they’ve seen proposed on thenetwork. This means that it is possible for participants’ tempi to diverge during periodsof tempo modification (especially during simultaneous modification by multipleparticipants), but this state is only temporary. The session will converge quickly to acommon tempo after any modification. The Link approach to tempo relies on groupadaptation to changes made by independent, autonomous actors - much like a group oftraditional instrumentalists playing together.

Beat Alignment

It’s conceivable that for certain musical situations, participants would wish to onlysynchronize tempo and not other musical parameters. But for the vast majority of cases,playing with synchronized tempo in the absence of beat alignment would not be perceivedas playing “in time.” In this scenario, participants’ beat timelines would advance at thesame rate, but the relationship between values on those beat timelines would be undefined.

In most cases, we want to provide a stronger timing property for a session than justtempo synchronization - we also want beat alignment. When a session is in a state of beatalignment, an integral value on any participant’s beat timeline corresponds to anintegral value on all other participants’ beat timelines. This property says nothingabout the magnitude of beat values on each timeline, which can be different, just thatany two timelines must only differ by an integral offset. For example, beat 1 on oneparticipant’s timeline might correspond to beat 3 or beat 4 on another’s, but it cannotcorrespond to beat 3.5.

Note that in order for a session to maintain a state of beat alignment, it must havesynchronized tempo.

Phase Synchronization

Beat alignment is a necessary condition for playing “in time” in most circumstances, butit’s often not enough. When working with bars or loops, a user may expect that the beatposition within such a construct (the phase) be synchronized, resulting in alignment ofbar or loop boundaries across participants.

In order to enable the desired bar and loop alignment, an application provides a quantumvalue to Link that specifies, in beats, the desired unit of phase synchronization. Linkguarantees that session participants with the same quantum value will be phase aligned,meaning that if two participants have a 4 beat quantum, beat 3 on one participant’stimeline could correspond to beat 11 on another’s, but not beat 12. It also guaranteesthe expected relationship between sessions in which one participant has a multiple ofanother’s quantum. So if one app has an 8-beat loop with a quantum of 8 and another has a4-beat loop with a quantum of 4, then the beginning of an 8-beat loop will alwayscorrespond to the beginning of a 4-beat loop, whereas a 4-beat loop may align with thebeginning or the middle of an 8-beat loop.

Specifying the quantum value and the handling of phase synchronization is the aspect ofLink integration that leads to the greatest diversity of approaches among developers.There’s no one-size-fits-all recommendation about how to do this, it is veryapplication-specific. Some applications have a constant quantum that never changes.Others allow it to change to match a changing value in their app, such as loop length ortime signature. In Ableton Live, it is directly tied to the “Global Quantization”control, so it may be useful to explore how different values affect the behavior of Livein order to gain intuition about the quantum.

In order to maintain phase synchronization, the vast majority of Link-enabledapplications (including Live) perform a quantized launch when the user starts transport.This means that the user sees some sort of count-in animation or flashing play buttonuntil starting at the next quantum boundary. This is a very satisfying interactionbecause it allows multiple users on different devices to start exactly together just bypressing play at roughly the same time. We strongly recommend that developers implementquantized launching in Link-enabled applications. Romans cad 9.10 descargar gratis.

Start/Stop Synchronization

As of Version 3, Link allows peers to share information on the user’s intent to start orstop transport with other peers that have the feature enabled.Start/stop state changes only follow user actions. This means applications will not adaptto, or automatically change the start/stop state of a Link session when they are joining.After a peer joins a session it exposes and listens to all upcoming start/stop statechanges. This is different to tempo, beat, and phase that are automatically aligned assoon as an application joins a session.As every application handles start and stop commands according to its capabilities andquantization, it is not expected that applicat

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